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Game Review: Band Frontman Jason Williamson Assumes Role in Critical Examination at 90s Rave Culture

Produced by Portishead co-founder Geoff Barrow, this sharp-edged if slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Woodsman denying his container of cider, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

There is only one key story turn, but it results in a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

Game releases in British and Irish cinemas from November 17.

By

Jackie Pittman

A seasoned journalist with a focus on UK political affairs, bringing years of experience and a sharp analytical eye to her writing.

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